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The Great Lover
On sale
22nd January 2009
Price: £9.99
In the summer of 1909, seventeen-year-old Nell Golightly is the new maid at the Orchard Tea Gardens in Cambridgeshire when Rupert Brooke moves in as a lodger. Famed for his looks and flouting of convention, the young poet captures the hearts of men and women alike, yet his own seems to stay intact. Even Nell, despite her good sense, begins to fall for him. What is his secret?
This captivating novel gives voice to Rupert Brooke himself in a tale of mutual fascination and inner turmoil, set at a time of great social unrest. Revealing a man far more complex and radical than legend suggests, it powerfully conveys the allure – and curse – of charisma.
This captivating novel gives voice to Rupert Brooke himself in a tale of mutual fascination and inner turmoil, set at a time of great social unrest. Revealing a man far more complex and radical than legend suggests, it powerfully conveys the allure – and curse – of charisma.
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Reviews
Not only engaging and seductive, it is also clever, witty and artfully designed
An exceptional book even from the prize-winning Dawson - clever, moving, sexy and with a mesmerising feel for that magical, optimistic, but doomed time just before the Great War
Moving, intelligent, beautifully written and hugely enjoyable
Dawson brilliantly evokes Brooke's volatility, his inner dissolution and ultimate breakdown.
Strong, satisfying and memorable
Nell is a wonderful creation: resilient, intelligent and heart-breakingly innocent . . . [Dawson] manages not only an impressive evocation of Brooke's milieu but a compelling reassessment of a poet often dismissed by modern readers . . . most of all, her novel digs Brooke out of that corner of a foreign field that is forever cliché
Jill Dawson has created a convincing world of huge pathos; a subtle, evocative anti-fairy-tale of doomed youth by one of Britain's most subtle and accomplished writers
The Great Lover has many wonderful scenes . . . But it is remarkable principally for its Rupert Brooke, glorious in all his agony and shame, particularly as he sees his sanity slipping away from him . . . this novel shows a rare mastery of materials. Dawson has worked the imaginary character of Nell so seamlessly into the narrative of Brooke's life that Nell seems to belong there. It is difficult to see where the many direct quotations from letters and memories end and Dawson's imagination begins.