The Benefactors
On sale
19th June 2025
Price: £18.99
AN OBSERVER BEST DEBUT NOVEL 2025
‘I couldn’t put this book down’
Sheena Patel, author of I’m a Fan
‘A powerful, moving, compelling, utterly enthralling debut’
Jon McGregor, author of Reservoir 13
‘Perfectly pitched, surefooted, and charged with feeling’
Colin Barrett, author of Wild Houses
From the prize-winning author of Dance Move and Sweet Home, this is an astounding novel about intimate histories, class and money – and what being a parent means.
Meet Frankie, Miriam and Bronagh: three very different women from Belfast, but all mothers to 18-year-old boys.
Gorgeous Frankie, now married to a wealthy, older man, grew up in care. Miriam has recently lost her beloved husband Kahlil in ambiguous circumstances. Bronagh, the CEO of a children’s services charity, loves celebrity and prestige. When their sons are accused of sexually assaulting a friend, Misty Johnston, they’ll come together to protect their children, leveraging all the powers they possess. But on her side, Misty has the formidable matriarch, Nan D, and her father, taxi-driver Boogie: an alliance not so easily dismissed.
Brutal, tender and rigorously intelligent, The Benefactors is a daring, polyphonic presentation of modern-day Northern Ireland. It is also very funny.
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Reviews
Wendy Erskine's writing is inimitable - so fresh, so sharp, so wry, so alive; so much contemporary fiction feels flat and fake in comparison. In all of its glorious polyphony, The Benefactors brims with humanity. It's got snap, it's got sparkle, it's got soul. All of Belfast is here, all of life. I adored it.
A powerful, moving, compelling, utterly enthralling debut novel from the excellent Wendy Erskine. The Benefactors follows the fallout from one young woman's awful experience of the young men around her, and explores the many ways in which lies are told, perpetuated, and excused. Wendy Erskine understands young people in all their complicated awfulness and brilliance, and the way she inhabits and carries such a range of troubled voices in this novel is a wonder. We're all better off for being able to read a novel as rich as this
'Wendy Erskine is off doing her own, consummate thing. The Benefactors is a novel as perfectly pitched, surefooted, and charged with feeling as her gleaming, precise stories
Wendy Erskine flourishes her captivating style in The Benefactors, with a depth of insight which at times feels like epiphany. Erskine actualises riveting, propulsive humanity in this mosaic of a community, achieving a distinction of narrative empathy that gleams on the page. The prose conveys profound insight with such lightness, the characters a richness of nuance and rare humour. The Benefactors is an essential novel, and Wendy Erskine an essential novelist. It is an inspired testament to survival - I was incredibly moved by it.
A truly remarkable novel - The Benefactors is both intimate and panoramic, full of clear-eyed compassion and wry wit, and with a cast of characters so vividly drawn it feels like you've known them all your life. This is powerful, masterful storytelling by one of the most exciting writers at work today
Books are made of words. And sentences. Of stories and sounds and of voices. The Benefactors is further proof that Erskine is a true master of all the above. There are absolutely loads of words in this book - every single one of them is well chosen - because Wendy Erskine chose them. The clue is in the title - with The Benefactors, Wendy Erskine has given us a gift
I found Wendy Erskine's The Benefactors to be a profound and memorable novel. Its acuity is matched by the brilliance of its prose
I miss it already. Even when they were being horrible bastards the characters were stirring my heart. Wendy evokes the grim gradations of class and wealth with such a clear eye and unerring hand. She's an incredible writer. All these voices so true and so loud in my ear. What a beautiful, hilarious blast of brilliance
A polyphonic, moving, funny masterpiece. A joy to read sentences like these from a writer as talented as this
The Benefactors is an astonishing novel from a writer at the height of her powers. There's not a sentence I don't believe, or a character I don't feel something for. Whole worlds are conjured, and through these worlds, a variousness of voices and perspectives that bring to life a plethora of lived experiences, often contradictory, but deeply human. Wendy Erskine is a true artist, and what a joy it is to read her
A novel of exquisite detail and endless humanity. Even in their darkest moments, Erskine never lets go of her characters, never lets them be anything but alive on the page. I won't soon recover, and don't really want to, from the clarity and cold power of this book
What a voice. What assurance and execution. Wendy Erskine writes like nobody else. The Benefactors is a masterful, memorable, electric novel that conveys a community of people and all their dramas pitch-perfectly, seemingly without manipulation, because the craft is deft and the feeling is real as all hell
The Benefactors is a novel of trauma that speaks from all of its perspectives simultaneously. In its lack of judgement, and in the redemptive joy and sadness of its telling, it is a profound work of art
I couldn't put this book down.,Wendy has skilfully written herself out of the story completely, her hand has disappeared. As a reader, you are totally transported into these characters lives. They are living people and I missed them when I finished
Wendy Erskine is one of the best writers working in Ireland right now and The Benefactors is all her own, astute and full of feeling
An excellent novel, all those voices so vivid and precise, appropriately startling at times and incredibly smart and timely on class and privilege
I'm already hooked
The Benefactors is fantastic. It's really stuck with me since I finished it
Riveting . . . a polyphonic drama of money and class . . . Erskine's eye for detail keeps us rapt
A cacophony of voices meet in The Benefactors in connected and often seemingly utterly disconnected ways, all of them given Erskine's trademark attention to character, all of them like mini short stories of their own . . . the success of The Benefactors is the way it treads across familiar fare . . . and tackles them in surprising ways
A truly special author - so special that you want to keep her for yourself . . . with a voice that is crystal clear and a viewpoint that takes in the world's cruelties and joys, Erskine's talent shines in The Benefactors . . . one of [Ireland's] finest contemporary writers
The dialogue and the descriptive prose, showing the inner and outer worlds of the novel, are extraordinary. I think this will be one of the most admired and talked-about books this year
Deftly tackle[s] dark subject matters
Debut novel by the acclaimed short-story writer about class and family in Northern Ireland
Wendy Erskine is a formidable writer, an extraordinary, deliciously vivid storyteller with characters that leap off the page. The Benefactors is an outstanding debut novel, packed with sharp truths and succinct details exploring the way people judge each other, hurt each other and learn to love each other
Northern Ireland's most exciting novelist . . . a polyphonic narrative about Belfast, class, parenting, and the aftermath of a sexual assault, served up with an undertow of politics . . . an absorbing and clever structure that feels fresh and exciting
This Belfast novel has the style of Woolf but the heart of Dickens . . . Erskine - a gifted short story writer who has been longlisted for the Sunday Times Audible Short Story Award - deploys a style closer to Virginia Woolf than to HBO, delivering scattershot glimpses of events through the eyes of a broad cast of characters . . . for all the formal subtlety and fragmentation of this impressive novel, then, it is amazing to see there is such a warmly conventional heart beating beneath the Woolfian multiple perspectives and the deliberate haziness with which Erskine depicts the novel's central act of class-based injustice
Wendy Erskine's first novel arrives after two collections that stake her claim to be the most talented Irish short story writer to emerge from either side of the border in the past decade . . . the voice is intimate and flexible, inviting us to ridicule a character's failings one minute and understand them the next, offering and then resisting caricature. Through the interplay with the first-person vignettes we gain a panorama of character that includes what these people no longer know about themselves . . . The reader will come away from the book with a sense of a writer of an unrivalled range of imaginative empathy, and of a city teeming with joy and sadness.