I absolutely loved it. This book is the narrative equivalent of a "Magic Eye" painting - you know that there's more going on below the surface and try as you might to decipher exactly why it is, things keep shifting before your very eyes and the final picture eludes you right to the very end. And perhaps even afterwards . . . The perfect balance of a perfectly created fictional world and a realistic portrayal of an unsettling atmosphere and a wonderfully unreliable narrator. Dark, intriguing and profoundly unsettling
Well written and extremely atmospheric . . . a very good read for the autumn/winter months. I really recommend you give this book a try
An impressive book, a fusion of classic horror with a story of modern life and broken relationships which left me feeling deeply uneasy
Absolutely pitch-perfect literary horror, gorgeously written and paced, and blends its folk-horror and supernatural elements with an extremely fresh use of the cosmic
Literary horror at its finest
Fletcher expertly describes the creeping horror of the situation . . . an excellent novel
In my opinion Tom Fletcher is the most exciting new horror writer in years.
Fletcher has a most distinctive voice, and convinces me that there may be some truth at last in those rumours about a renaissance in British supernatural fiction.
Fletcher's imagination is truly boundless
Tom Fletcher is one of the most original and perceptive writers producing fiction in Britain today
Fletcher's fluid handling of his subject and the atmosphere he's imbued it with is magnificent. Thoroughly recommended.
A staggeringly brilliant, witty, scary and confident debut
Fletcher's Ravenglass invokes an overwhelming sense of claustrophobia . . . it's this gloomy sense of atmosphere with its overwhelming foreboding of something really, really nasty that's about to happen that makes The Ravenglass Eye such a compelling read
Fletcher excels at infusing the mundane . . . with a slow-burning sense of unease
An acutely unsettling folk horror with a superbly unreliable narrator
Terrifying, slow-burning, exquisitely wrought
Unsettling, horribly gripping and touched with genius
The scenes where tangible manifestations impinge on the real world are more disturbing but Fletcher's articulate phrasing and rolling descriptions . . . never fails . . . when the twist of the blade comes it is sharp and buried suitably deep
A remarkable horror story with superb world-building. The scares doesn't just come from the supernatural. The book weaves the horrors of war and climate change into the larger narrative, merging fantasy and reality. It makes for a haunting and poignant read. Witch Bottle is an intense and atmospheric folk horror that leaves an arresting impression. Recommended!
A story with an air of menace throughout - and I loved it! It's dark, unsettling . . . I couldn't put it down. It really explores the human emotions of loss, of grief, of loneliness and of self-preservation, one of those really unsettling reads. A haunting, dark and twisty story
This book is dark, gory and unlike anything else I have ever read before. It's brilliantly descriptive and really well written
Daniel's traumatic back story makes it easy for the sceptic not just to accept but to enjoy and admire the supernatural element as projections from a deeply troubled mind. This gives the novel a political as well as a psychological edge, which I particularly appreciated. One of this year's favourite reads
Impressive . . . Tom Fletcher pulls it off with aplomb. Witch Bottle is both a great and beguiling read. I love atmospheric and slow-burning horror novels which are top-heavy with an undiagnosed sense of the supernatural. I found Witch Bottle tremendously entertaining and am very happy to recommend it