A Granite Silence

A Granite Silence is a masterpiece [of true crime fiction], so good it makes me wonder if there is a better writer than Nina Allan in Britain today?

The murder in Aberdeen in 1934 of eight-year-old Helen Priestley horrified the nation and had a shattering impact on the over-crowded tenement community where she lived. In this closely researched account, Nina Allan creatively explores the many elements exposed by this dreadful crime.

Nina Allan takes this notorious real-life case and weaves around it an extraordinary blend of forensic research and imaginative fiction. It all adds up to a wonderfully immersive portrait of a place and a time, and the awful ease with which ordinary lives can tip into tragedy.

A brilliantly written and haunting speculative fiction novel, one of the best you're likely to read this year

In A Granite Silence Nina Allen explores the story from every angle, using police records, court transcripts, newspaper reports. She examines every detail, every person involved, in the most minute detail . . . Allan's factual accounts and her fictional stories are equally in my memory now; and perhaps that was her point. Excellent.

No ordinary work of true crime . . . A Granite Silence succeeds magnificently

Allan moves seamlessly from present to past, from fact to fiction, in prose that is at once almost gratuitously clear and eerily provocative

There is a strong sense of place in Allan's descriptions of Aberdeen (the granite of the title) and the characters are credibly drawn. The style of writing is simple and personal while at the same time alert to the way in which meanings and symbols interact and repeat . . . a thoughtful, original and compelling read