Consuming . . . Explores themes of honesty and understanding by showing the impact that obsessions - grief, rapacity - can have on a marriage
Livesey knows her way around human desire and disappointment.
Margot Livesey should be better known . . . [She] writes as well as anyone and is clearly steeped in the literary canon . . . She's a patient builder of complex characters who are often brought face to face with uncomfortable truths about themselves.
MERCURY explores that thrilling, terrifying moment when grief turns blind, when passion becomes obsession. As always, Livesey tells her tale masterfully, with intelligence, tenderness and a shrewd understanding of all our mercurial human impulses.
Margot Livesey is a searingly intelligent writer at the height of her powers.
I loved every single sentence of The Boy in the Field. This novel is so intricately woven, its world so vibrantly built, its characters so beautifully and empathically wrought. To experience the world as rendered by Margot Livesey is a singular, extraordinary delight.
Margot Livesey has the unique ability to find the hidden darkness beneath the surface of our lives, no matter how deeply buried. A deceptively simple story that explores the aftermath of a moment of violence, The Boy in the Field amazed me with its insight, and the subtlety of Livesey's beautiful, almost dreamlike prose.
Every novel of Margot Livesey's is, for her readers, a joyous discovery. Her work radiates with compassion and intelligence and always, deliciously, mystery
Family bonds are fraught, fragile, yet ultimately enduring in Livesey's nuanced account of the siblings' separate but conjoined odysseys . . . Livesey demonstrates . . . respect for the mysteries of the human heart . . . Quietly yet powerfully affecting.
How lucky the world is that Margot Livesey has turned her usual keen and sympathetic writer's eye to the Lang children - Duncan, Zoe, and Matthew- as they struggle to make sense of a terrible crime and the sensitive, mysterious young victim who suffers in the aftermath. From its taut and frightening opening chapter to its final, mournful pages, The Boy in the Field is a tender, deeply humane exploration of family, philosophy, and what it means to grow up, to keep secrets, to care for one another, and most importantly, what it means to hold another's heart in yours, always, with tenderness and mercy
Every character rings true; every observation and reaction feels real. Braiding three separate views of the same incident, Livesey weaves a masterful tapestry of emotion and action focused on the indelible impact of random events
Livesey deftly portrays the rich inner lives of adolescents . . . [she] does well by her teenage protagonists while offering a vivid portrait of life among intellectuals in an Oxford-vicinity village.