It's got all the crackle and verve and mad vivid life we've come to expect but it's so open-hearted and warm, too, and utterly engrossing - it's her best work to date, which is really saying something
No other writer captures the pained, complex lives of damaged young men and women in contemporary Ireland like McInerney does. With her savage wit and caustic eye there's no shirking of the ugly truths of Irish society and the havoc wreaked on innocent lives. This is a raw, intense novel, full of tenderness, humour and above all humanity.
Unsparing, unsentimental, but deeply affectionate...THE RULES OF REVELATION is stylish and relentlessly original
THE RULES OF REVELATION is a perfect end to one of the best trilogies in modern Irish literature. McInerney's writing moves from the tragic to the hilarious with a dazzling deftness, examining a post-Crash Ireland - and its hypocrisy in how it shapes class, art, and feminism - with a gimlet eye. A triumph
An enthralling and expansive novel. There is no mistaking the brilliantly inventive, savage, technicolour bounce of McInerney's prose
The characters, the dialogue, the wit and humanity - everything about this book glows
Impressive . . . As in its predecessors in this, the most essential English-language fiction cycle since St Aubyn's Patrick Melrose novels, The Rules of Revelation's scenes are so alive and real, so insidiously affecting, that they weirdly engage most of the senses.