We have updated our Privacy Policy Please take a moment to review it. By continuing to use this site, you agree to the terms of our updated Privacy Policy.

*THE JAPANESE CRIME CLASSIC – ONE MILLION COPIES SOLD*

‘Takamura’s prismatic heist novel offers a broad indictment of capitalist society’ New York Times

Lady Joker is a work you get immersed in, like a sprawling 19th century novel or a TV series like The Wire’ NPR

Tokyo, 1995. Five men meet at the racetrack every Sunday to bet on horses. They have little in common except a deep disaffection with their lives, but together they represent the social struggles and griefs of post-War Japan: a poorly socialized genius stuck working as a welder; a demoted detective with a chip on his shoulder; a Zainichi Korean banker sick of being ostracized for his ethnicity; a struggling single dad of a teenage girl with Down syndrome. The fifth man bringing them all together is an elderly drugstore owner grieving his grandson, who has died suspiciously.

Intent on revenge against a society that values corporate behemoths more than human life, the five conspirators decide to carry out a heist: kidnap the CEO of Japan’s largest beer conglomerate and extract blood money from the company’s corrupt financiers.

Inspired by the unsolved true-crime kidnapping case perpetrated by “the Monster with 21 Faces,” Lady Joker has become a cultural touchstone since its 1997 publication, acknowledged as the magnum opus by one of Japan’s literary masters, twice adapted for film and TV and often taught in high school and college classrooms.

Reviews

A novel that portrays with devastating immensity how those on the dark fringes of society can be consumed by the darkness of their own hearts
Yoko Ogawa, author of The Memory Police
Takamura's prismatic heist novel offers a broad indictment of capitalist society
New York Times
Lady Joker is a work you get immersed in, like a sprawling 19th century novel or a TV series like The Wire. . . Lady Joker casts a page-turning spell
NPR
Like Ellroy's American Tabloid and Carr's The Alienist, the book uses crime as a prism to examine dynamic periods of social history . . . Takamura's blistering indictment of capitalism, corporate corruption and the alienation felt by characters on both sides of the law from institutions they once believed would protect them resonates surprisingly with American culture
Los Angeles Times
Excellent . . . Takamura shows why she's one of Japan's most prominent mystery novelists
Publishers Weekly
Takamura's challenging, genre-confounding epic offers a sweeping view of contemporary Japan in all its complexity
Kirkus Reviews