Search Results for: Born a Crime

How did a scrawny black kid,the son of a barber and a domestic who grew up in Harlem and Trenton,become the 106th mayor of New York City? It’s a remarkable journey. David Norman Dinkins was born in 1927, joined the Marine Corps in the waning days of World War II, went to Howard University on the G.I. Bill, graduated cum laude with a degree in mathematics in 1950, and married Joyce Burrows, whose father, Daniel Burrows, had been a state assemblyman well-versed in the workings of New York’s political machine. It was his father-in-law who suggested the young mathematician might make an even better politician once he also got his law degree.The political career of David Dinkins is set against the backdrop of the rising influence of a broader demographic in New York politics, including far greater segments of the city’s gorgeous mosaic.” After a brief stint as a New York assemblyman, Dinkins was nominated as a deputy mayor by Abe Beame in 1973, but ultimately declined because he had not filed his income tax returns on time. Down but not out, he pursued his dedication to public service, first by serving as city clerk. In 1986, Dinkins was elected Manhattan borough president, and in 1989, he defeated Ed Koch and Rudy Giuliani to become mayor of New York City, the largest American city to elect an African American mayor.As the newly-elected mayor of a city in which crime had risen precipitously in the years prior to his taking office, Dinkins vowed to attack the problems and not the victims. Despite facing a budget deficit, he hired thousands of police officers, more than any other mayoral administration in the twentieth century, and launched the Safe Streets, Safe City” program, which fundamentally changed how police fought crime. For the first time in decades, crime rates began to fall,a trend that continues to this day. Among his other major successes, Mayor Dinkins brokered a deal that kept the US Open Tennis Championships in New York,bringing hundreds of millions of dollars to the city annually,and launched the revitalization of Times Square after decades of decay, all the while deflecting criticism and some outright racism with a seemingly unflappable demeanor. Criticized by some for his handling of the Crown Heights riots in 1991, Dinkins describes in these pages a very different version of events. A Mayor’s Life is a revealing look at a devoted public servant and a New Yorker in love with his city, who led that city during tumultuous times.

In December 1998, San Antonio Express-News reporter Philip True vanished during a solo backcountry trek in western Mexico, home of the reclusive Huichol Indians and the Chapalagana, the Twisted Serpent Canyon, a 150-mile long gash that twists and plunges through the heart of the Sierra Madre. Five days later his editor, Robert Rivard, was part of a small search party that, nearly miraculously, tracked a trail of feathers that had leaked from True’s sleeping bag to find his body. Trail of Feathers is the story of the search for True and of the quest to bring his killers to justice. It is also the story of another perplexing mystery: Why had True taken such a dangerous trip, into such a raw, uncivilized wilderness, alone and without sufficient safety preparations, in the first place? After an unhappy and unsettled youth, True was at the age of fifty finally settling down to a career and a wife he loved. His first child was about to be born. What was he running from, or to? Rivard’s search for answers to these questions leads him deep into the Sierra Madre Occidental, one of Mexico’s last true wildernesses, and deep into the secrets of Philip True’s past. It also leads him into his own past, and an acknowledgment of the ways in which his life and True’s mirrored each other. Suspenseful, atmospheric, and moving, Trail of Feathers is more than a true crime tale it’s a classic tragedy about how the past reverberates destructively into the present , for individuals, for cultures, for nations.

Born in 1955, Avraham Burg witnessed firsthand many of the most dramatic and critical junctions in Israeli history. Here he chronicles the highs and lows of his country during the last five decades, beginning with the 1967 war, when, as a young boy, his mother brought him back Uzi cartridges from the Kotel, which he incorporated into the Chanukah menorah he made for his home economics class. Burg narrates the misplaced hopes of religious Zionism (informed by his conservative upbringing), Israel’s obsession with military might (informed by his own experiences as a paratrooper), the country’s democratic aspirations (informed by his tenure in the Knesset) and more. What he delivers, ultimately, is an analysis of the ambitions and failures of Israel and Judaism, from the unique standpoint of his generation–the children of the mythical “founders” who established the state.

In Days to Come is Burg’s philosophical inquiry into what Jewish-Israeli identity means today if you are personally, ethically, and politically opposed to what your country stands for. With bravery and candor, he urges his countrymen to dare to ask the difficult questions and accept the truth of difficult answers, have the courage to move on from trauma to trust, understand that Jews do not have monopoly over suffering but a responsibility to prevent crimes against humanity, have the will to solve the conflict between Israel and Palestine by adopting new paradigms, be ready to relinquish the privileges given to the Jews and create a shared space with equal rights for every human being, lay the groundwork for a constitutional reality in which every individual–under Israeli sovereignty or responsibility–has equal rights, and build a wall of separation between synagogue and state.

In this book, Burg lays bare the seismic intellectual shifts that drove the country’s political and religious journeys, offering a vision for a new comprehensive paradigm for Israel and the Middle East.

In The Great American Stickup , celebrated journalist Robert Scheer uncovers the hidden story behind one of the greatest financial crimes of our time: the Wall Street financial crash of 2008 and the consequent global recession. Instead of going where other journalists have gone in search of this story- the board rooms and trading floors of the big Wall Street firms- Scheer goes back to Washington, D.C., a veritable crime scene, beginning in the 1980s, where the captains of the finance industry, their lobbyists and allies among leading politicians destroyed an American regulatory system that had been functioning effectively since the era of the New Deal. This is a story largely forgotten or overlooked by the mainstream media, who wasted more than two decades with their boosterish coverage of Wall Street. Scheer argues that the roots of the disaster go back to the free-market propaganda of the Reagan years and, most damagingly, to the bipartisan deregulation of the banking industry undertaken with the full support of”progressive&rdquo Bill Clinton. In fact, if this debacle has a name, Scheer suggests, it is the”Clinton Bubble,&rdquo that era when the administration let its friends on Wall Street write legislation that razed decades of robust financial regulation. It was Wall Street and Democratic Party darling Robert Rubin along with his clique of economist super-friends- Alan Greenspan, Lawrence Summers, and a few others- who inflated a giant real estate bubble by purposely not regulating the derivatives market, resulting in the pain and hardship millions are experiencing now. The Great American Stickup is both a brilliant telling of the story of the Clinton financial clique and the havoc it wrought- informed by whistleblowers such as Brooksley Born, who goes on the record for Scheer- and an unsparing anatomy of the American business and political class. It is also a cautionary tale: those who form the nucleus of the Clinton clique are now advising the Obama administration.

During his first historic run for the presidency in 2016, Donald Trump made an impassioned plea to the black community. “Give me a chance,” he said. “What the hell do you have to lose?”

According to Kathy Barnette, black Americans have nothing to lose, except for crime ridden communities, neighbourhoods that have become shooting galleries, more social welfare programs, and the mocking indifference of the Democrat party. Barnette argues that even a cursory look into the black community reveals the destabilising effect liberal policies have had on the black family.

There was a time when Barnette bought into the same lie as everyone else-that if you’re black, you must be a democrat. In fact, she was born into the Democrat party just as much as she was born into brown skin. There was no point of separation. Until she began to understand what it truly means to be black in America. Barnette contends that being black is more than just the color of her skin. It’s a culture and a consciousness, too.

In NOTHING TO LOSE, EVERYTHING TO GAIN, Barnette writes about why liberal policies have failed the black community time and time again – and will fail the larger American community as Democrats rush to the hard Left of the party. From the “Great Society” to Kanye West’s ongoing war with the liberal establishment, this book provides sharp, eloquent commentary on the most pressing issues facing black Americans today: broken family structure, loss of identity, the legacy of slavery, and more.

Barnette argues that President Trump has not been willing to presume that the “black vote” is a foregone conclusion resting comfortably in the back pockets of Democrats. With his plainspoken style and willingness to face harsh truths, the president has done more for the black community than any president since Abraham Lincoln. Barnette insists the time is now to get back what has been lost, to fix the brokenness and to recognise and support those who are actually working in our favour.

We have nothing to lose, and even more to gain.

In his impassioned-yet-measured book, Rafael A. Mangual offers an incisive critique of America’s increasingly radical criminal justice reform movement, and makes a convincing case against the pursuit of “justice” through mass-decarceration and depolicing.
After a summer of violent protests in 2020-sparked by the deaths of George Floyd, Breonna Taylor, and Rayshard Brooks-a dangerously false narrative gained mainstream acceptance: Criminal justice in the United States is overly punitive and racially oppressive. But, the harshest and loudest condemnations of incarceration, policing, and prosecution are often shallow and at odds with the available data. And the significant harms caused by this false narrative are borne by those who can least afford them: black and brown people who are disproportionately the victims of serious crimes.
In Criminal (In)Justice, Rafael A. Mangual offers a more balanced understanding of American criminal justice, and cautions against discarding traditional crime control measures. A powerful combination of research, data-driven policy journalism, and the author’s lived experiences, this book explains what many reform advocates get wrong, and illustrates how the misguided commitment to leniency places America’s most vulnerable communities at risk.
The stakes of this moment are incredibly high. Ongoing debates over criminal justice reform have the potential to transform our society for a generation-for better or for worse. Grappling with the data-and the sometimes harsh realities they reflect-is the surest way to minimize the all-too-common injustices plaguing neighborhoods that can least afford them.

After a summer of violent protests in 2020-sparked by the deaths of George Floyd, Breonna Taylor, and Rayshard Brooks-a dangerously false narrative gained mainstream acceptance: Criminal justice in the United States is overly punitive and racially oppressive. But, the harshest and loudest condemnations of incarceration, policing, and prosecution are often shallow and at odds with the available data. And the significant harms caused by this false narrative are borne by those who can least afford them: black and brown people who are disproportionately the victims of serious crimes.

In Criminal (In)Justice, Rafael A. Mangual offers a more balanced understanding of American criminal justice, and cautions against discarding traditional crime control measures. A powerful combination of research, data-driven policy journalism, and the author’s lived experiences, this book explains what many reform advocates get wrong, and illustrates how the misguided commitment to leniency places America’s most vulnerable communities at risk.
The stakes of this moment are incredibly high. Ongoing debates over criminal justice reform have the potential to transform our society for a generation-for better or for worse. Grappling with the data-and the sometimes harsh realities they reflect-is the surest way to minimize the all-too-common injustices plaguing neighborhoods that can least afford them.

From Elly Griffiths, bestselling crime author writing under her own name, comes a heart-warming tale of family rivalry and long-held secrets. Steeped in local Italian colour, it reveals a family at their worst – and best .

‘Witty and light as a tiramisu but with tart insight on sibling rivalry’ Nottingham Evening Post

Gaby, the youngest of the de Angelis sisters, always knew she was her father Enzo’s favourite; so when Enzo dies on the day her own daughter is born, her life is turned upside down.

In the emotional aftermath of the funeral, it emerges that her father has asked that his ashes be taken back to his native city, Rome. Suddenly, Gaby and her new family are thrown headlong into the wider de Angelis clan with all of their conflicting ideas and opinions.

As the family journeys to Rome to say a final goodbye to Enzo, emotions run high; but none higher than Gaby’s, as she comes face to face with the man she once thought she would marry.

THE 12 MILLION COPY BESTSELLING AUTHOR OF THE ENZO FILES AND THE CHINA THRILLERS
AWARD WINNING AUTHOR OF THE CWA DAGGER IN THE LIBRARY 2021

‘One of the best regarded crime series of recent years.’ Independent
‘No one can create a more eloquently written suspense novel than Peter May.’ New York Journal of Books

PETER MAY: THE MAN WHO BROUGHT MURDER TO THE OUTER HEBRIDES

A brutal killing takes place on the Isle of Lewis, Scotland: a land of harsh beauty and inhabitants of deep-rooted faith.

A MURDER

Detective Inspector Fin Macleod is sent from Edinburgh to investigate. For Lewis-born Macleod, the case represents a journey both home and into his past.

A SECRET

Something lurks within the close-knit island community. Something sinister.

A TRAP

As Fin investigates, old skeletons begin to surface, and soon he, the hunter, becomes the hunted.

LOVED THE BLACKHOUSE? Read book 2 in the Lewis trilogy, THE LEWIS MAN
LOVE PETER MAY? Buy his latest frontlist thriller, THE NIGHT GATE

A gripping new thriller from the bestselling author of THE GIRL IN THE SPIDER’S WEB

“A nerve-racking political thriller with the most exciting detective duo in a long time. Bring on their next case” Romy Hausmann, author of Dear Child

“A rich, engrossing novel” Literary Review

The launch of a new series inspired by Sherlock Holmes. A murder investigation brings together two unlikely allies in a race to uncover a shadowy international conspiracy.

Professor Hans Rekke: born into a wealthy Stockholm family, world authority on interrogation techniques, capable of vertiginous feats of logic and observation . . . But he might just fall apart when the going gets tough, leading to substance abuse and despair.

Micaela Vargas: community police officer, born to Chilean political refugees in a tough suburb, with two brothers on the shady side of the law.

Vargas feels she has something to prove. She’s tenacious and uncompromising, but she needs Rekke’s unique mind to help her solve the case. Rekke has it all – wealth, reputation – but also a tendency to throw it all away. He needs Vargas to help him get back on an even keel so he can focus his mind on finding the killer before they’re both silenced for good.

Translated from the Swedish by Ian Giles

The gripping new novel from bestselling author Elly Griffiths.

It starts with a magician and a murder in a Brighton boarding house; throw in a show on Brighton pier, a sinister radio personality and a potential serial killer, and you’ve got the next twisty mystery from Elly Griffiths.

Magician Max Mephisto, now divorced and living in London, is on his way to visit daughter Ruby and her new-born baby when he is hailed by a voice from the past, fellow performer Ted English, aka the Great Deceiver. Ted’s assistant, Cherry, has been found dead in her Brighton boarding house and he’s convinced that he’ll be accused of her murder.

Max agrees to talk to his friend, Superintendent Edgar Stephens, who is investigating the case. What Max doesn’t know is that the girl’s family have hired private detective duo Emma Holmes (aka Mrs Stephens) and Sam Collins to do some digging of their own.

The inhabitants of the boarding house, most of whom are performing in an Old Time Music Hall show on Brighton pier, are a motley crew. The house is also connected to a sinister radio personality called Pal. When a second magician’s assistant is killed, Edgar suspects a serial killer. He persuades Max to come out of semi-retirement and take part in a summer show. But who can pose as his assistant? Edgar shocks the team by recommending someone close. . .

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Praise for Elly Griffiths

‘Original, lively and gripping’ Independent

‘Full of period detail, smart plotting and likeable characters’ Mail on Sunday

‘Full of fun and expertly plotted’ Sunday Express


The Last Remains, the final instalment of the Dr Ruth Galloway Mysteries, was a Sunday Times bestseller in August 2023.

#1 bestselling author Stephen King returns with a brand-new novel about the secrets we keep buried and the cost of unearthing them.

SOMETIMES GROWING UP MEANS FACING YOUR DEMONS

The son of a struggling single mother, Jamie Conklin just wants an ordinary childhood. But Jamie is no ordinary child. Born with an unnatural ability his mom urges him to keep secret, Jamie can see what no one else can see and learn what no one else can learn. But the cost of using this ability is higher than Jamie can imagine as he discovers when an NYPD detective draws him into the pursuit of a killer who has threatened to strike from beyond the grave.

LATER is Stephen King at his finest, a terrifying and touching story of innocence lost and the trials that test our sense of right and wrong. With echoes of King’s classic novel IT, LATER is a powerful, haunting, unforgettable exploration of what it takes to stand up to evil in all the faces it wears.

(P) 2021 Simon & Schuster Audio

A hugely complex and entertaining novel – Star Pick*, The Times Crime Club

Elizabeth George delivers another intelligent, intricate mystery – New York Times

Superlative . . . This is a memorable addition to [the Inspector Lynley] series – Publishers Weekly (starred, boxed review)

Detective Sergeant Barbara Havers and Detective Inspector Thomas Lynley are back in the next Lynley novel from Sunday Times bestselling author Elizabeth George.

A Nigerian born detective sergeant working for the Metropolitan Police is found unconscious in her own flat and ends up in hospital where she dies of her injury. The post-mortem reveals that the subdural hematoma is the result of a blow to her head. DI Thomas Lynley, DS Barbara Havers and DS Winston Nkata are called in to investigate a case that touches upon not only the work and the life of the murdered detective but also upon a controversial cultural tradition that damages and often destroys the future of everyone it involves.

ADAPTED FOR YOUNG READERS

The host of The Daily Show, Trevor Noah, tells the story of growing up mixed race in South Africa under and after apartheid in this young readers’ adaptation of his bestselling adult memoir Born a Crime: Stories from a South African Childhood.

BORN A CRIME IS SOON TO BE A MAJOR MOTION PICTURE STARRING OSCAR-WINNER LUPITA NYONG’O!

Trevor Noah, host ofThe Daily Show, shares his remarkable story of growing up in South Africa, with a black South African mother and a white European father at a time when it was against the law for a mixed-race child like him to exist. But he did exist — and from the beginning, the often-misbehaved Trevor used his keen smarts and humour to navigate a harsh life under a racist government.

This compelling memoir blends drama, comedy and tragedy to depict the day-to-day trials that turned a boy into a young man. In a country where racism barred blacks from social, educational, and economic opportunity, Trevor surmounted staggering obstacles and created a promising future for himself, thanks to his mom’s unwavering love and indomitable will.

It’s Trevor Noah: Born a Crime not only provides a fascinating and honest perspective on South Africa’s racial history, but it will also astound and inspire young readers looking to improve their own lives.

THE LAST THING A TWIN EXPECTS IS TO BE ALONE …

*** From the acclaimed author of THE LAST THING TO BURN comes a new thriller about identity, rivalry and deceit. ***

‘Dean handles his plot with skill … Molly is an intriguing protagonist and Dean has plenty of surprises for the unwary reader’ OBSERVER

‘The talented Mr Ripley would have enjoyed every moment of its tortuous plot. There is no higher praise’ DAILY MAIL

‘Highly accomplished, dark and dazzling. First Born twists and deceives, and cements Will Dean’s status as a truly rare talent. Pure brilliance’ CHRIS WHITAKER

Molly lives a quiet, contained life in London. Naturally risk averse, she gains comfort from security and structure. Every day the same.

Her identical twin Katie is her exact opposite: gregarious and spontaneous. They used to be inseparable, until Katie moved to New York a year ago. Molly still speaks to her daily without fail.

But when Molly learns that Katie has died suddenly in New York, she is thrown into unfamiliar territory. Katie is part of her DNA. As terrifying as it is, she must go there and find out what happened. As she tracks her twin’s last movements, cracks begin to emerge. Nothing is what it seems. And a web of deceit is closing around her.

Delivering the same intensity of pace and storytelling that made THE LAST THING TO BURN a word-of-mouth sensation, FIRST BORN will surprise, shock and enthral.

‘Powerful … Dean takes on issues of personal identity and familial responsibility’ FINANCIAL TIMES
‘Tiptoes into Highsmith territory here. Pacy, exhilarating and jaw-dropping, it’s a meditation on identity and loneliness as well as a bloody good page-turner. New York buffets the characters about its ruthless streets, just as the reader is propelled from one twist to the next’ ERIN KELLY
‘A superb page-turner’ STEVE CAVANAGH
‘Will Dean writes a mean thriller, with a keen ear for what scares us. The streets of New York shine off the page, and the action rarely lets up. Highly recommended’ SARAH HILARY
‘Will Dean manages to accomplish the rare blend of excellent writing and intriguing, ingenious plotting’ LIZ NUGENT
‘Taut, suspenseful, chilling and surprising’ GILLY MACMILLAN
‘Equal parts murder mystery and psychological thriller, Will Dean dazzles with FIRST BORN. A tense, taut plot that blows through unexpected twists and turns, you won’t be able to look away until the final, shattering page’ JULIE CLARK
‘Great pace, great twists, a perfect psychological thriller’ B.A. PARIS
‘A clever and sophisticated construction…A jolly good read’ SHOTS
‘Rather special’ Sunday Times Crime Club *Star pick*
‘The storyline is truly original, with one of those brilliant endings only a great thriller writer can dream up’ The Press Association
‘Spine-chilling’ Irish Independent
‘This psychological thriller is a masterpiece’ Crime Review

Winner of the Stonewall Young Adult Literature Award

One teenager in a skirt. One teenager with a lighter. One moment that changes both their lives forever.

Two teenagers growing up in Oakland, California. One, Sasha, was born male but identifies as agender, wears skirts and attends a private school. The other, Richard, is an African American from a poor part of Oakland who attends a rough public school.

They have no reason to meet, except for eight minutes every day, they catch the same bus home. And one day, messing about, Richard spies Sasha napping. He flicks the flame of his lighter to Sasha’s skirt, and Sasha wakes up in a ball of flame.

What happens next, as the victim, the perpetrator and the community struggle to come to terms with their sadness and shock, is a story of recovery, reconciliation, forgiveness and, above all, hope. It’s about the power of being true to yourself, bravery and the good and bad in all of us.

And, remarkably, it’s all true.

‘Another sizzling space epic to entice, excite and tease. 5 STARS’ – Starburst

Darrow was born a slave. He became a weapon.

He ended centuries of Gold rule, broke the chains of an empire, and now he’s the hero of a brave new republic. But at terrible cost.

At the edge of the solar system, the grandson of the emperor he murdered dreams of revenge.

In his hidden fortress in the oceans of Venus, the Ash Lord lies in wait, plotting to crush the newborn democracy.

And, at home, a young Red girl who’s lost everything to the Rising questions whether freedom was just another Gold lie.

In a fearsome new world where Obsidian pirates roam the Belt, famine and genocide ravage Mars, and crime lords terrorise Luna, it’s time for Darrow and a cast of new characters from across the solar system to face down the chaos that revolution has unleashed.

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Further praise for Iron Gold

‘Fascinating . . . This is one you absolutely will have to read’ – The BiblioSanctum

‘[Iron Gold] offers us both a continuation of the story Brown has been telling for years right alongside an eye-opening widening of his universe, as though we’re watching it all through an exquisitely calibrated telescope that can slide on perfect bearings from one side of the solar system to the other without the slightest blur . . . Mature science fiction existing within the frame of blazing space opera’ – NPR Books

‘The books are an exhilarating fusion of The Hunger Games, Blade Runner and Dune. Amid a pulse-pounding narrative, they fearlessly tackle major issues like the fragility of democracy and the fallibility of human nature to betray its ideals even when freedom is attained’ – Express

‘[A] thoughtful blend of action, intrigue, and prosaic human drama’ – Publishers Weekly

‘Iron Gold offers more of everything we loved about the first three books. Pierce Brown builds upon the foundations of the incredible universe and story he spun in the first trilogy, pivoting on his characters’ flaws and fallibility to steer the narrative in unexpected directions. Suffice it to say, readers will be soon be dying to read the next one’ – Barnes & Noble

‘This book lives up to every expectation I have for Pierce Brown . . . you MUST read this, it will not disappoint!’ – The Speculative Herald

‘Brown succeeds not only in writing a great book, but adding to the world and Red Rising’s mythos . . . The mix of political intrigue, action and thematic journeys elevate this book from a simple sci-fi adventure into something more thought-provoking and rewarding. Fans of Brown and his series should really enjoy this latest addition to Red Rising’ – FlickeringMyth.com

WINNER OF THE THURBER PRIZE

The compelling, inspiring, (often comic) coming-of-age story of Trevor Noah, set during the twilight of apartheid and the tumultuous days of freedom that followed.

One of the comedy world’s brightest new voices, Trevor Noah is a light-footed but sharp-minded observer of the absurdities of politics, race and identity, sharing jokes and insights drawn from the wealth of experience acquired in his relatively young life. As host of the US hit show The Daily Show with Trevor Noah, he provides viewers around the globe with their nightly dose of biting satire, but here Noah turns his focus inward, giving readers a deeply personal, heartfelt and humorous look at the world that shaped him.

Noah was born a crime, son of a white Swiss father and a black Xhosa mother, at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the first years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, take him away.

A collection of eighteen personal stories, Born a Crime tells the story of a mischievous young boy growing into a restless young man as he struggles to find his place in a world where he was never supposed to exist. Born a Crime is equally the story of that young man’s fearless, rebellious and fervently religious mother – a woman determined to save her son from the cycle of poverty, violence and abuse that ultimately threatens her own life.

Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Noah illuminates his curious world with an incisive wit and an unflinching honesty. His stories weave together to form a personal portrait of an unlikely childhood in a dangerous time, as moving and unforgettable as the very best memoirs and as funny as Noah’s own hilarious stand-up. Born a Crime is a must read.

V.I. Warshawski’s impossible god-daughter Bernie convinces her to look for August, a young film-maker who has disappeared. The evidence indicates that he has gone to Kansas in the company of Emerald, an older black movie actress who wants to film the story of her life. Her search takes V.I. from the military base Emerald was born on, to the farm where she grew up outside a university town, ploughing up past and present-day secrets as she goes.

What is happening at the former nuclear missile site next door to the farm? What happened at the site in 1983, when students tried to stage their own version of Greenham Common? Everywhere V.I. turns she seems to be finding more trouble – with not a sign of August and Emerald. And then trouble turns to death . . .

‘UK readers, you have a nice surprise coming. No, not Brexit, FEVER, by Deon Meyer. Reminiscent of THE STAND and THE PASSAGE. Great stuff’ STEPHEN KING

I want to tell you about my Father’s murder.

I want to tell you who killed him and why.

This is the story of my life.

And the story of your life and your world too, as you will see.

Nico Storm and his father drive across a desolate South Africa, constantly alert for feral dogs, motorcycle gangs, nuclear contamination. They are among the few survivors of a virus that has killed most of the world’s population. Young as he is, Nico realises that his superb marksmanship and cool head mean he is destined to be his father’s protector.

But Willem Storm, though not a fighter, is a man with a vision. He is searching for a place that can become a refuge, a beacon of light and hope in a dark and hopeless world, a community that survivors will rebuild from the ruins. And so Amanzi is born.

Fever is the epic, searing story of a group of people determined to carve a city out of chaos.

Pinnacle City is many things to many people. To some it is a glittering metropolis, a symbol of prosperity watched over by the all-star superhero team, the Pinnacle City Guardians. Beyond the glitz and glamour, there is another city, one still feeling the physical and economic damage of the superhero-villain battles of generations past. The lower class, immigrants, criminals, aliens, sorcerers, and non-humans alike call this city home, looking to make a living, which is becoming increasingly difficult as the two sides of the city seem prepared to boil over into a violent conflict.
Private investigator Eddie Enriquez, born with the ability to read the histories of objects by touch, still bears the scars of his time as a youthful minion for a low-level supervillain, followed by stints in prison and the military. Though now trying to live a straight-and-narrow life, he supports a drinking problem and painkiller addiction by using his powers to track down insurance cheats. When a mysterious woman enters his office asking him to investigate the death of prominent non-human rights activist Quentin Julian, a crime the police and heroes are ignoring, he takes the case in the hopes of doing something good.
Superhero Kimberly Kline has just hit it big, graduating from her team of young heroes to the Pinnacle City Guardians with the new codename of Solar Flare. With good looks, powers that include flight, energy manipulation, superhuman strength, durability, and speed, as well as a good family name, the sky is the limit for her. Upbeat, optimistic, and perhaps a little naïve from the upper-crust life she was raised in, she hopes to make her family, and the world, proud by being the greatest superhero she can be . . . but things aren’t always as they seem.

Zerfall awakens in an alley, wounded and unable to remember her past. Chased by an assassin out into the endless wastes of the desert, she is caught, disfigured, and left for dead. Her scabbard is empty, but the need for answers-and the pull of her sword-will draw her back to the city-states.

When Jateko, a naïve youth, accidentally kills a member of his own tribe, he finds himself outcast and pursued across the desert for his crimes. Crazed from dehydration, dying of thirst and hunger, he stumbles across Zerfall.

Hunted by assassins and bound by mutual need, both Zerfall and Jateko will confront the Täuschung, an ancient and deranged religion ruled by a broken fragment of Zerfall’s mind. Swarm, the Täuschung hell, seethes with imprisoned souls, but where gods-real or imagined-meddle in the affairs of man, the cost is high.

In Swarm and Steel, the power of belief can manifest and shape reality, and for political and religious leaders, faith becomes a powerful tool. But the insane are capable of twisting reality with their delusions as well, turning increasingly dangerous as their sanity crumbles. It is here that a long prophesied evil will be born, an endless hunger. The All Consuming will rise.

Welfare worker Paul Gunther is killed when he looks into the blackmailing of some of his cases. Lieutenant George Shaw leads the murder investigation, which touches on the jazz community and beatnik culture of Oakland in the early 1960’s.

The House on Lily Street is the story of a corrupt and narcissistic young man, born to privilege, who dallies among the poor-and gets in over his head.

Jenny Casey was not born for this mission. She was modified for it.

The year is 2062, and after years on the run, Jenny Casey is back in the Canadian armed forces. Those who were once her enemies are now her allies, and at fifty, she’s been handpicked for the most important mission of her life – a mission for which her artificially reconstructed body is perfectly suited. With the earth capable of sustaining life for just another century, Jenny – as pilot of the starship Montreal – must discover brave new worlds. And with time running out, she must succeed where others have failed.

Now Jenny is caught in a desperate battle where old resentments become bitter betrayals and justice takes the cruelest forms of vengeance. With the help of a brilliant AI, an ex-crime lord, and the man she loves, Jenny may just get her chance to save the world. If it doesn’t come to an end first . . .