By Albert J. McCarthy, Nat Hentoff
The names of Nat Hentoff and Albert J. McCarthy have become almost synonymous with jazz writing. Hentoff, editor of Jazz Review, writer for Downbeat, High Fidelity, New Yorker, and the Village Voice, and McCarthy, editor of Jazz Monthly, have raised jazz beyond mere appreciation and discography to a subject which demands the rigorous application of musicological, sociological, and historical analysis. In addition to their own contributions, the twelve articles they have commissioned by internationally noted critics and scholars provide almost revolutionary evidence of the emergence of Jazz as a serious art form.
The Jazz Life
By Nat Hentoff
The last few years have witnessed an enormous resurgence in the popularity of jazz, after some lean times in the sixties when many potential jazz fans turned to rock. Now the pendulum is on the backswing, and vintage and modern jazz as well as "jazz rock" are attracting huge new audiences. One factor involved in the comeback of jazz among blacks and whites alike is the rise of black consciousness, with its search for roots in the American experience. Nat Hentoff's The Jazz Life explores the social, economic, and psychological elements that make up the context of modern jazz. Among the jazz greats whose lives and work are discussed are Count Basie, Charles Mingus, John Lewis, Miles Davis, Thelonius Monk, and Ornette Coleman. Written with intelligence, passion, and wit, this jazz classic is of immense importance to anyone wanting a better understanding of the jazz,or indeed our American life.
Jazz Masters Of The 30s
By Rex Stewart
This is the only jazz history written by a musician that is not strictly autobiographical. Rex Stewart, who played trumpet and cornet with Fletcher Henderson and Duke Ellington, knew personally all the giants of jazz in the 1930s and thus his judgments on their achievements come with unique authority and understanding. As a good friend, he never minimizes their foibles yet he writes of them with affection and generosity. Chapters on Fletcher Henderson, Coleman Hawkins, Red Norvo, Art Tatum, Big Sid Catlett, Benny Carter, and Louis Armstrong mix personal anecdotes with critical comments that only a fellow jazz musician could relate. A section on Ellington and the Ellington orchestra profiles Ben Webster, Harry Carney, Tricky Sam Nanton, Barney Bigard, and Duke himself, with whom Rex Stewart was a barber, chef, poker opponent, and third trumpet. Finally, he recounts the stories of legendary jam sessions between Jelly Roll Morton, Willie the Lion Smith, and James P. Johnson, all vying for the unofficial title of king of Harlem stride piano. It was the decade of swing and no one saw it, heard it, or wrote about it better than Rex Stewart.
Jazz Masters Of The 50s
By Joe Goldberg
The fifties, though a quiescent period in many ways, was one of the most fervent decades in jazz history. The landmarks of modern jazz were firmly planted and, it could be argued, nearly all directions the music has taken since then can be charted back to recordings, groups, or individuals from this era. In this series of profiles, Joe Goldberg examines the lives and the music, the crucial events and dominant forces of a decade of great music and conflicting esthetics: Miles Davis's recording of Kind of Blue Gerry Mulligan's pianoless quartet Cecil Taylor's percussive keyboard experiments John Coltrane's and Sonny Rollins's marathon saxophone solos MJQ's blending of classical structure and jazz improvisation Ornette Coleman's Free Jazz. From Mingus to Monk to Blakey, it was an age of giants. Perhaps never before or since in jazz history have so many wildly idiosyncratic jazz innovators been contemporaries. Joe Goldberg was there and what his ears heard has become here a lasting music document.
Job: A Comedy of Justice
By Robert A. Heinlein
After he firewalked in Polynesia, the world wasn't the same for Alexander Hergensheimer, now called Alec Graham. As natural accidents occurred without cease, Alex knew Armageddon and the Day of Judgement were near. Somehow he had to bring his beloved heathen, Margrethe, to a state of grace, and, while he was at it, save the rest of the world ....
The Jazz Years
By Leonard Feather
By Jay Smith, Len Guttridge
The emergence of Jack Teagarden as an important jazz stylist was a significant feature of the'20s jazz scene. He brought a maturity to the sound of the trombone and until late in his life played with a laconic grace that few, if any, on his instrument have equaled. His collaboration with Louis Armstrong,who rated their musical relationship higher than any he had known,was one of the great partnerships in jazz history. The story of this funny, happy Texan is told with affection and detail in this, the only biography of Jack Teagarden. Obviously a man like Teagarden, with his mastery of his instrument, might have stepped into almost any kind of music and made a career for himself. But one thing this book makes clear is that Jack could not have been any kind of musician except a jazz musician. A jazz musician simply has to make his music and dedicate his life to it, even though he may not tell you (or himself) why he has to. He may not, indeed, even be able to say why, or need to say why. The need is to make music and, necessarily, lead the life that makes that possible. All of which has little or nothing to do with ego or acclaim or money. He needs to give his music to the world and he hopes the world will understand.You will find out about that need in these pages. You will also find plenty of the pranks and boys-will-be-boys anecdotes that seem so prevalent, diverting, and (under the surface) necessary a part of the musical life.",Martin Williams, from his new preface.
Just Give Me A Cool Drink Of Water 'Fore I Diiie
By Maya Angelou
From this best-selling author comes a marvellous collection of poetry. Poems of love and regret, of racial strife and confrontation, songs of the people and songs of the heart - all are charged with Maya Angelou's zest for life and her rage at injustice. Lyrical, tender poems of longing, wry glances at betrayal and isolation combine with a fierce insight into 'hate and hateful wrath' in an unforgettable picture of the hopes and concerns of one of America's finest contemporary Black writers.
Jazz Masters Of The 20s
By Richard Hadlock
The jazz decade saw the emergence of many of the great figures who defined the music for the world: Louis Armstrong, Bessie Smith, Earl Hines, Bix Beiderbecke, Fats Waller, Jack Teagarden, Fletcher Henderson,these giants set the standards for blues singing, big band arrangements, and solo improvisation that are the foundations for jazz. Richard Hadlock has chapters on each, with a discography and descriptions of all the players who made the'20s swing.
By Melvyn Bragg
JOSH LAWTON, a young Cumbrian orphan and farm worker, is an exceptionally good man. Strong and athletic, he is trained to be a fell runner by Cedric, a garrulous ex-soldier who takes Josh under his wing. But Cedric is alienated when Josh falls in love with Maureen, a worldly girl from the neighbouring town, marries her and fathers a child. However, the quiet and simple life that Josh loves does not satisfy Maureen who seeks excitement back home in the arms of her former lover, a local bully. The betrayal brings Cedric back into Josh's life, eager to discredit the woman who had usurped him. It also leads to a climax that is both inevitable and shocking: Josh, who hates fighting, is drawn into a battle with Maureen's lover and is killed. Cedric, filled with revenge, can only turn his knife on himself. The novel's tragic ending is both a warning against simplicity and a cry for its presence in everything.
Justice, Gender, and the Family
By Susan Moller Okin
In the first feminist critique of modern political theory, Okin shows how the failure to apply theories of justice to the family not only undermines our most cherished democratic values but has led to a major crisis over gender-related issues.
By Valerie Wilmer
By J. F. C. Fuller
Since the Renaissance, Julius Caesar has been idolized as a superman. Classical sources, however, present a far less exalted being. As General Fuller writes, Caesar was "an unscrupulous demagogue whose one aim was power, and a general who could not only win brilliant victories but also commit dismal blunders.... It is reasonable to suspect that, at times, Caesar was not responsible for his actions, and toward the end of his life, not altogether sane." There is not doubt that Caesar was an extraordinary man." But Fuller points out that he was extraordinary for his reckless ambition, matchless daring, and ruthless tyranny, rather than for his skills as a military comander. Caesar continually had to extricate himself from results of mistakes of judgement. His unnecessary Alexandrian War, his close call at Thapsus, and his seemingly unpremeditated Gallic conquest are just a few of Fuller's many examples.And in telling Caesar's history, Fuller illuminates a century of Roman history as well. Aided by maps of Caesar's principal battles and diagrams of many of his weapons, Fuller brings to life Caesar's wars, his armies, his equipment, and his methods. Brilliant in design and impressive in scope, Julius Caesar clarifies how the military, political, and economic aspects of the Roman Republic worked together to produce a man whose name has come down to us as a synonym for absolute authority.
By Bharati Mukherjee
When Jasmine Vijh is suddenly widowed at seventeen, she seems fated to a future of quiet isolation in a small Indian village. But, voracious for life, she flees to America. Six years on she has become Jane Ripplemeyer, resident of Iowa, married to a middle-aged banker and adoptive mother of a Vietnamese refugee. Jasmine's odyssey through America, rippling with energy and daring, reflects Mukherjee's preoccupation with the fractured lives of exiles and immigrants caught up in a painful yet exhilarating cross-cultural metamorphosis. In this uncompromising novel that draws on all the strengths of the award-winning The Middleman and Other Stories and carries them to a new level of perception and intensity, Bharati Mukherjee has given us a heroine's 'greedy with wants and reckless with hope' - and leaves us breathless with surprise.
By André Bazin
This classic in the literature of cinema represents the convergence of the three leading figures of French film: Jean Renoir, universally considered the greatest French director André Bazin, the outstanding French film critic and theorist and François Truffaut, the pioneer of la nouvelle vague. Bazin left this examination of Renoir's films unfinished when he died in 1958 Truffaut collected and edited the essays, and added a comprehensive filmography in which Bazin, Truffaut, Jacques Rivette, Jean-Luc Godard, Eric Rohmer, and other Cahiers du Cinéma regulars comment on the films. Here are brilliant insights into the whole of Renoir's oeuvre, from the avant-garde fantasy of La Petite Marchande d'Allumettes, through the epic humanism of Grand Illusion and The Rules of the Game, to the quiet grace of The River and the profound theatricality of The Golden Coach. Bazin shows why Renoir is the critical figure in the development of cinema since the silent era, and how he went beyond montage to give the art new expressive potential. Renoir's work constitutes one of the most fully and beautifully elabourated visions in contemporary art, and nowhere is this humanistic vision better illuminated than in this book.
Jean Harlow: An Intimate Biography
By Irving Shulman
Jean Harlow's stunning blonde looks and shockingly blatant sexuality made her Hollywood's first and most sensational sex goddess. In all the wild, free-wheeling history of Hollywood since her death in 1937, no star has made such an impression. Despite her dubious talents as an actress, Harlow won the hearts of the movie-going public. But, like many of the stars that followed her, she found no happiness in her private life. Her husband committed suicide within a month of their wedding, creating endless material for gossip. This book reveals the truth behind this, as well as many other rumours, which surrounded Harlow, including the circumstances behind her premature and needless death at the age of 26.
By Grover Sales
Jazz: America's Classical Music is a delightful introduction and guide to this complex and compelling music and to its rich history. In an engaging and conversational style, renowned jazz teacher Grover Sales tells of the lives and music of the greats,Ellington, Tatum, Hawkins, Coltrane, Parker, Hines, Goodman, Armstrong, and many others,with a mix of important facts, fascinating anecdotes, and brilliant interpretations. Illustrated with astonishing photographs of the artists in performance, Jazz: America's Classical Music is a classic text, an ideal book for beginners and an inspiring one for serious students of the art of jazz.
By Margit Rowell
By Josephine Cox
Despite a deathbed warning from her beloved mother, Phoebe Mulligan has no choice but to throw herself on the mercy of her uncle, Edward. Wrenched from all she holds dear, the tragic young girl is delivered to Blackburn town, where she must live in a household terrorised by the cold, forbidding presence of her mother's brother. Phoebe cannot understand why she is treated so harshly by Edward Dickens. She is not to know the guilty secret that lies in his past, a secret that casts a sinister shadow over his feelings for his lovely niece . . .
By Gore Vidal
Gore Vidal's fictional recreation of the Roman Empire teetering on the crux of Christianity and ruled by an emperor who was an inveterate dabbler in arcane hocus-pocus, a prig, a bigot, and a dazzling and brilliant leader.